White, petite, and princess-pretty Alice is a difficult heroine to like in her stormy (and frequently profane) narration, larded with pop-culture and children’s-literature references and sprinkled with wry humor her deceptive fragility conceals a scary toughness, icy hostility, and simmering rage. The Hinterland-and the Stories that animate it-appear as simultaneously wondrous and horrific, dreamlike and bloody, lyrical and creepy, exquisitely haunting and casually, brutally cruel. Now Althea is dead and Ella has been kidnapped, and the Hinterland seems determined to claim Alice as well. Instead, she has spent her entire 17 years on the run from persistent bad luck, relying only on her mother, Ella.
Once upon a time, Althea Proserpine achieved a cult celebrity with Tales from the Hinterland, a slim volume of dark, feminist fairy tales, but Alice has never met her reclusive grandmother nor visited her eponymous estate.
A ferocious young woman is drawn into her grandmother’s sinister fairy-tale realm in this pitch-black fantasy debut.
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